b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
Pintura Identificación:: 3244
Pieta Pieta 1519-20
Art History Museum, Vienna 1519-20 Art History Museo, Viena b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
Italian painter, Brescian school (b. ca. 1484, Brescia, d. ca. 1559,
Brescia).
Pintura Identificación:: 8947
Pieta Pieta 1510
Oil on panel, 183 x 185) cm
Gallerie dell'Accademia, Venice 1510 óleo en Panel, 183 x 185- cm Gallerie dell-Accademia, Venecia Italian painter, Brescian school (b. ca. 1484, Brescia, d. ca. 1559,
Brescia).
Pintura Identificación:: 10063
Pieta Pieta 1455-60
Wood panel,
52x42 cm.
Academia Carrara
Bergamo, Italy 1455-60 Madera panel, 52x42 cm. Academia Carrara Bergamo, Italia Italian High Renaissance Painter, ca.1430-1516
Pintura Identificación:: 7827
Pieta Pieta 1643-45
Oil on canvas, 146 x 222 cm
Mus??e du Louvre, Paris 1643-45 Óleo en lona, 146 x 222 cm Musee du Louvre, Paris French painter (b. 1619, Paris, d. 1690, Paris)
Pintura Identificación:: 19530
Pieta la Piedad 1854
oil on canvas
Museum of Fine Arts, Gifu. 1854 petróleo en el Museo de lona de bellas artes, Gifu. French
1826-1898
Pintura Identificación:: 28717
Pieta la Piedad mk61
Oil on canvas
221x169cm
el Petróleo mk61 en la lona 221x169cm Flemish Baroque Era Painter, 1593-1678
Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia).
Pintura Identificación:: 29786
Pieta la Piedad mk67
Oil on panel
66 1/8x69 5/16in
Uffizi,Gallery
el Petróleo mk67 en el entrepaño 66Uffizi 1/8x69 5/16in, la Galería Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia).
Pintura Identificación:: 29876
Pieta la Piedad mk67
Oil on panel
67 5/16x50in
Accademia,Gallery
el Petróleo mk67 en elentrepaño 67 Accademia 5/16x50in, la Galería Italian , Florentine artist , (1542-1629)
Pintura Identificación:: 30522
Pieta la Piedad mk68
Oil on canva
11'6 1/2"x11" 5"
Venice,Accademai Gallery
1576
Italy
el Petróleo mk68 en el canva 116 1/2x11 5 Venecia, la Galería de Accademai 1576 Italia
b. cca 1400, Rottweil, d. ca. 1445, Basel. German-born painter from Rottweil in Swabia, active in Switzerland.
Pintura Identificación:: 31731
Pieta la Piedad mk76
Date unknown
Tempera on panel
13 1/8x17 1/2in
la Fecha mk76 Témpera desconocida en el entrepaño 13 1/8x17 1/2in b. cca 1400, Rottweil, d. ca. 1445, Basel. German-born painter from Rottweil in Swabia, active in Switzerland.
Pintura Identificación:: 32867
Pieta la Piedad mk84
1560-70
Madrid,
Real Academia de Bellas Artes
Panel
126x98cm
mk841560-70 Madrid, Academia Verdadera de las Artes de Bellas Ponen panel 126x98cm Spanish Mannerist Painter, ca.1520-1586
Pintura Identificación:: 33331
Pieta la Piedad mk86
1365
Tempera on wood
122x58cm
Florence
Galleria dell'Accademia
mk86 1365 Témpera en la Galería de madera 122x58cm Florencia Italian Gothic Era Painter, active 1350-1369
Pintura Identificación:: 33355
Pieta la Piedad mk86
c.1400
Tempera on wood,diameter
Paris,Musee National du Louvre
mk86 C. 1400 Témpera en la madera, el diámetro París, Musee du Nacional Louvre Niemegan before 1370-Dijon 1415
Pintura Identificación:: 33391
Pieta la Piedad mk86
after1490
Tempera on wood
140x207cm
Munich,Bayerische Staatsgemaldesammlungen,Alte Pinakothek
la Témpera mk86 after1490 en la madera 140x207cm Múnich, Bayerische Staatsgemaldesammlungen, AltePinakothek Italian Early Renaissance Painter, 1445-1510
Pintura Identificación:: 33444
Pieta la Piedad mk86
c.1460
Tempera on panel
162x217cm
Paris,Musee National du Louvre
mk86 C. 1460 Témpera en pone panel París 162x217cm, Musee du NacionalLouvre active in Provence 1444-1466
b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
Pintura Identificación:: 33475
Pieta la Piedad mk86
c.1519/20
Oil on wood
99x120cm
Vienna,Kunsthistorisches Museum
el Petróleo mk86 c.1519/20 en la madera 99x120cm Viena, Museo de Kunsthistorisches b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
Pintura Identificación:: 33494
Pieta la Piedad mk86
c.1573-1576
Oil on canvas
351x389cm
Venice,Galleria dell'Accademia
el Petróleo mk86 c.1573-1576 en la lona 351x389cmVenecia, la Galería
Pintura Identificación:: 40150
Pieta laPiedad mk156
1365
Tempera on panel
122x58cm
mk156 1365 Témpera en pone panel 122x58cm Italian Gothic Era Painter, active 1350-1369
Pintura Identificación:: 40990
Pieta la Piedad mk159
between 1576 and 1582
Oil on canvas
147x111.5cm
mk159 entre1576 y 1582 Petróleo en la lona 147x111.5cm
Pintura Identificación:: 55976
pieta mk247
1494 to 95,tempera on wood panel,24.25x35.75 in,62x91 cm,uffizi,florenec,ltaly Italian
1450-1523
Pietro Perugino Galleries
Pintura Identificación:: 86113
Pieta Date 1510(1510)
Medium Oil on panel
Dimensions Height: 183 cm (72 in). Width: 185 cm (72.8 in).
cjr Italian High Renaissance Painter, 1484-1562
Pintura Identificación:: 86567
Pieta 1889(1889)
Medium Oil on canvas
Dimensions 42 x 34 cm (16.5 x 13.4 in)
cyf Dutch Post-Impressionist Painter, 1853-1890
Pintura Identificación:: 86904
Pieta Date 1508(1508)
Medium Oil on wood
Dimensions Height: 80 cm (31.5 in). Width: 80 cm (31.5 in).
cjr Italian
1480-1556
Lorenzo Lotto Galleries
Pintura Identificación:: 87154
Pieta Date c. 1464(1464)
Medium Oil on wood
Dimensions Height: 35.5 cm (14 in). Width: 45 cm (17.7 in).
cjr Netherlandish Northern Renaissance Painter, ca.1400-1464
(c.1469-1525) was a painter from Reval (now Tallinn, Estonia) who was trained in the tradition of Early Netherlandish painting. For most of his life, Sittow worked as a court portrait painter, for Isabella of Castille, the Habsburgs and others in Spain and the Netherlands. He was one of the most important Flemish painters of the era.
Pintura Identificación:: 88823
Pieta 1500(1500)
Medium Oil on oak panel
cyf (c.1469-1525) was a painter from Reval (now Tallinn, Estonia) who was trained in the tradition of Early Netherlandish painting. For most of his life, Sittow worked as a court portrait painter, for Isabella of Castille, the Habsburgs and others in Spain and the Netherlands. He was one of the most important Flemish painters of the era.
Pintura Identificación:: 89418
Pieta 1637(1637)
Medium oil on canvas
Dimensions Deutsch: 264 x 170 cm
cjr Spanish Painter and Print engraver , 1591-1652
(November 29, 1806 e December 30, 1879) was a Brazilian Romantic writer and painter, as well as an architect, diplomat and professor. He is patron of the 32nd chair of the Brazilian Academy of Letters.
Porto-alegre was born Manuel Jose de Araejo in Rio Pardo, to Francisco Jose de Araejo and Francisca Antônia Viana. He would change his name to Manuel de Araejo Pitangueira during the independence of Brazil, due to nativist causes. Later on, he finally changed it to its definitive form: Manuel de Araejo Porto-alegre.
In 1826, he moved to Rio de Janeiro, in order to study painting with Jean-Baptiste Debret at the Escola Nacional de Belas Artes. He also studied at what is now the Academia Militar das Agulhas Negras and took a Medicine course and Philosophy. In 1831, he left Brazil along with Debret to Europe, in order to improve his painting techniques. In 1835, he went to Italy, where he met Gonçalves de Magalhães, another Brazilian poet. He and Magalhães would create in France, in the year of 1837, a short-lived magazine named Niterei, alongside Francisco de Sales Torres Homem. Also in 1837, he becomes history painting teacher at the Escola Nacional de Belas Artes, in a post that would last until 1848, when he would become a drawing teacher at the Academia Militar das Agulhas Negras, and starts doing his first caricatures. In 1838, he married Ana Paulina Delamare, having with her two children: Carlota Porto-alegre (the future wife of painter Pedro Americo) and future diplomat Paulo Porto-alegre.
In 1840 he is named the official painter and decorator of Emperor Pedro II's palace. He decorated the imperial palace in Petrepolis, the wedding of Pedro II with Teresa Cristina of the Two Sicilies and the aforementioned emperor's coronation. He was decorated with the Order of Christ and the Order of the Rose.
Reuniting with Gonçalves de Magalhães and Torres Homem, he founded a periodic named Minerva Brasiliense, that lasted from 1843 to 1845. He would publish in this periodic his poem Brasiliana. In 1844, alongside Torres Homem, he founded the humoristic magazine Lanterna Megica, where he published his caricatures.
In 1849, Porto-alegre founded the magazine Guanabara, alongside Joaquim Manuel de Macedo and Gonçalves Dias. The magazine, considered the official journal of the Romantic movement in Brazil, lasted until 1856.
Pintura Identificación:: 94286
Pieta cjr (November 29, 1806 e December 30, 1879) was a Brazilian Romantic writer and painter, as well as an architect, diplomat and professor. He is patron of the 32nd chair of the Brazilian Academy of Letters.
Porto-alegre was born Manuel Jose de Araejo in Rio Pardo, to Francisco Jose de Araejo and Francisca Antônia Viana. He would change his name to Manuel de Araejo Pitangueira during the independence of Brazil, due to nativist causes. Later on, he finally changed it to its definitive form: Manuel de Araejo Porto-alegre.
In 1826, he moved to Rio de Janeiro, in order to study painting with Jean-Baptiste Debret at the Escola Nacional de Belas Artes. He also studied at what is now the Academia Militar das Agulhas Negras and took a Medicine course and Philosophy. In 1831, he left Brazil along with Debret to Europe, in order to improve his painting techniques. In 1835, he went to Italy, where he met Gonçalves de Magalhães, another Brazilian poet. He and Magalhães would create in France, in the year of 1837, a short-lived magazine named Niterei, alongside Francisco de Sales Torres Homem. Also in 1837, he becomes history painting teacher at the Escola Nacional de Belas Artes, in a post that would last until 1848, when he would become a drawing teacher at the Academia Militar das Agulhas Negras, and starts doing his first caricatures. In 1838, he married Ana Paulina Delamare, having with her two children: Carlota Porto-alegre (the future wife of painter Pedro Americo) and future diplomat Paulo Porto-alegre.
In 1840 he is named the official painter and decorator of Emperor Pedro II's palace. He decorated the imperial palace in Petrepolis, the wedding of Pedro II with Teresa Cristina of the Two Sicilies and the aforementioned emperor's coronation. He was decorated with the Order of Christ and the Order of the Rose.
Reuniting with Gonçalves de Magalhães and Torres Homem, he founded a periodic named Minerva Brasiliense, that lasted from 1843 to 1845. He would publish in this periodic his poem Brasiliana. In 1844, alongside Torres Homem, he founded the humoristic magazine Lanterna Megica, where he published his caricatures.
In 1849, Porto-alegre founded the magazine Guanabara, alongside Joaquim Manuel de Macedo and Gonçalves Dias. The magazine, considered the official journal of the Romantic movement in Brazil, lasted until 1856.
Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance
Pintura Identificación:: 97633
Pieta 1448(1448)
Medium oil on panel
Dimensions 96 x 126.5 cm
cyf Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance
Rogier van der Weyden Rogier van der Weyden 1399/1400 - 1464 was the most important representative of Netherlandish painting or Northern Renaissance
Pieta
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